The Globe, Black Diamond & Nicholson File on a beautiful day

chernobal-dreams-1

chernobyl dreams #1 – Rolleiflex E2

Many of the vacant/abandoned and neglected sites I have a chance to photograph have had long histories and most have had an economic significance to the communities they existed and that  when they cease to exist it’s a blow to the communities surrounding them: Kodak Toronto, Color Corp Buffalo, The Packard Automotive Plant… but not as many have had a news worthy note like the Globe, Black Diamond & Nicholson File site and it was long after the factory doors had closed forever.

Photographing this site was a throwback to the days when I first started wandering around abandoned/vacant buildings with a camera. I knew almost nothing about the history of the Globe, Black Diamond & Nicholson File when we went save it’s national news coverage in 2012 (more on that below) and so I found myself wandering around in stupor of wonder trying to sort out how to capture the energy of the building/site.

A Brief History of Globe, Black Diamond & Nicholson File

Situated on the bank of the Ganaraska River in historic Port Hope Ontario (there are 270+ heritage sites in town and a giant TransformerTM sculpture),  sits the site of the the Globe, Black Diamond & Nicholson File factory complex of buildings. During the 100+ years of operations, the companies occupying the buildings produced hand tools and files and the factory was always a primary employer for the Port Hope community. I actually think I own files produced by Globe, Black Diamond & Nicholson File!  But i digress.

According to details culled from several blogs and news sites the property was in-use as early as 1853, but it was Frederick Outram who opened the Globe File Manufacturing Company there in 1888. In 1901 Globe File Manufacturing Company merged with Nicholson File Company, (a Rhode Island-based manufacturer – founded in 1834 by William Thomas Nicholson (1834-1893)) and they made files there until 1976, when the company was bought out by Cooper Tools (now Apex Tool Group). At some point the buildings on the West side of Cavan St. were torn down and houses were built in their place.

In 1988 what was left of the site was purchased in 1988 by Mr. J. Vernezos who maintained an apartment in the building and used the various other areas of the site for storage of a wide variety of personal items – which might explain the random scattering of children’s toys boats, vintage car shells and kiddie pools. There’s something unsettling and creepy about children’s toys in an abandoned or vacant factory. In 1985 the buildings were officially made a heritage site because of the various industrial and archeological features. Mr. J. Vernezos battled violent vandals who smashed anything and everything throughout the site on a regular basis and he was forced to replace the glass in many/most of the windows 3 times while he owned the site.

In 2008, someone attempted to set the building on fire. It’s cheaper than a movie!

In 2012 Toronto Barrister and Solicitor Yigal Rifkin purchased the property with hopes to turn the 75,000 sq ft of derelict buildings into a condominium/shopping/arts complex. But before he could get started, in November of 2012 the derelict site of Globe, Black Diamond & Nicholson File was raided and a very sophisticated marijuana grow-op was discovered inside with 1800+ plants worth an estimated street-value of $1.8 million! The 24 year-old man arrested at the scene was the tenant of the building and it was later revealed he had a license to grow medical marijuana, (a hilarious touch to the story!). Which the landlord probably didn’t have an issue with as his law office (in Toronto), does consulting work for medical marijuana licences through Grow Legally: Medical Marijuana in Canada.

When we toured the buildings last Sunday all the marijuana was gone (duh!), but there was evidence of a grow-op on the second floor and it was fabulous to photograph: tattered plastic sheets hanging between rooms, near windows, a giant makeshift pool collecting for rain water as well as a decimated apartment that looked as though it had barely survived a war complete with a near mint copy of a 1995 National Enquirer with headlines like:”Kevin Costner Love Triangle”, “Michael Jackson flies of with 2 boys” and “Christie Brinkley’s Hubby Accused of Wife Beating”! Combined with perfect sunlight filtered through filthy windows, the vintage structure of the building featuring vaulted columns, factory windows, skylights, 40+ years of vandalism (oddly very little grafitti), hoarding and neglect – each room was a magical space to be photographed.

As usual: Enjoy the iPhone snaps – when time permits I’ll post more from the magical Rolleiflex!

With files from: http://www.heritageporthope.com/CAVAN121.pdf, http://vishwawalking.ca/get-lost/ont/pt-hope-file-factry.html, http://121cavan.com/?page_id=28, http://www.northumberlandnews.com/opinion/editorial/article/1294224–factory-restoration-project-a-big-plus-for-port-hope

PHOTOPIA at G44

I finally became a member of Gallery 44 last year and joined the G44 Board for the OUTREACH Zine and will be facilitating workshops exploring Contemporary Photography and zine making with participants from the 519 Church St. Community Centre, Eva’s Phoenix, Native Learning Centre (NLC),NIA Centre for the Arts and Urban Arts during April-June.

To keep education programs like OUTREACH Zine, Cameralinks, Photomagic etc running, Gallery 44 raises funds through events like PHOTOPIA, happening next Friday April 19th, 6-10pm. The walls of Gallery 44 will be filled with a stunning selection of photographs created by both members and friends of Gallery 44 and many of the pieces will be priced below $500 so the artwork should be flying off the walls!

The event is free, but there is a raffle for a slew of sweet prizes including a tour of a winery, Stephen Bulger Gallery Art Publications, Aeroplan Miles and a Lomo Camera kit to name a few. The tickets are $10. The draw will take place 6 PM, April 19 (During PHOTOPIA Opening Reception). To purchase a ticket ($10) contact the gallery 416-979-3941 or photopia@gallery44.org.

Buy some art for your collection or purchase your first piece!Late Night Laundromat

 

 

 

 

 

 

 

 

 

 

 

Late Night Laundromat, 16″x16″ (image size), 2009, Limited Edition of 15

statue-man-two

The Copper Cowboy

I love living statues, but I always find myself without a dime in my pocket when I see one and I struggle with photographing them without giving them any money. I’ve always struggled with exploiting people/artists/victims of crime or accidents or tragedy for a photo. Which is weird considering I discretely photograph random strangers going about their lives when I travel locally and internationally almost everyday and I never feel awkward about that. Perhaps it’s the fact that it’s discrete and I haven’t done anything with them yet. There is something intriguing about people/strangers immersed in their own life, unaware that: they are being watched, that someone finds something about them or the way that they occupy space interesting and that they are being photographed while unaware.

I digress.

I also never want to just photograph the living statue, I want to photograph the interaction of living statues and gawking tourists, amused children or the indifference of the locals just going about there day getting from one place to another in the midst of the crowds surrounding the living statue the way I see it with my eyes: the statue, their near obnoxious full-body greasy & powdered make-up/costumes, their donation pail, the city corner they’re working, the time of day, the temperature, the ebb and flow of the audience, the moment their eyes eyes come to rest on me, piercing, but silent… And even then, they’re just snapshots of people that look like statues, busking. And then I tried photographing one with the Hasselblad Xpan (using a 45mm lens – which is 24mm in panoramic mode). What a difference. A 24 x 65 mm negative is a time traveling format that fits in a lightweight street camera.

I’ve always meant to return to re-shoot this scene with the xpan. I was pleased with my results, the contrast of the red & yellow street accents and the grey buildings, but I always wonder if they would be stronger compositions if the weather/light had been just a little brighter.

 

Proofing for my next book project: Burma’s Club Med

I have finally begun the task of evaluating my photos from my adventures with All Burma Students’ Democratic Front (ABSDF), during the year 1997-1998 and proofing a selection of photos for my next book project Burma’s Club Med, that I plan to have completed by the Fall of 2013.

It’s been pretty exciting revisiting my work and subsequently discovering images I had dismissed as not worthy of printing or had missed entirely because my compositional intent when shooting the images didn’t match-up with my aesthetics when I got back to Canada. Although I also suspect my immaturity as a photographer may have also had something to do with it! I was more excited about the colour images and not couldn’t see the magic of my black and whites.

Anyways. These are a couple proofs I printed in the gallery 44 darkrooms last week. I shot these in one of the Karen camps close to the ABSDF camp/regiment I was staying in at the beginning of my time in the border area between Thailand and Burma. I  was absolutely delighted to discover these images and despite a small scratch on the the negs (bulk loaded film i suspect), that can be easily (famous last words!) spotted out, I think they’re a shoe-in for the book.

an interview absdf burma absdf

 

 

Rasterbating for Criscotheque

And this is what it looked like installed in the front window of the Henhouse!
installed in the windowIt’s the one year anniversary of Criscotheque tonight at the Henhouse and I’ve done some rasterbating poster art to help celebratefay-for-crisco!
Come to the west where things may go south.
Djs Gangbangaz (Basha Is Electric and Andrew Awesome)
Dancing Unicorns
and performance by Fay Slift!

The Henhouse
1532 Dundas St. West, Toronto, Ontario M6K 1T5

The Westwood Theatre in photos

I never saw a single movie at the Westwood Theatre. I lived in Toronto off and on with my mom throughout the 80′s and she favoured the downtown theatres: The Uptown, Cumberland, Eaton Center Cineplex and Carlton. When I finally moved to Toronto to attend school in Etobicoke in the 90′s I was off moving pictures and the love for a movie and some over buttered popcorn never returned.

But a boarded up movie theater always makes me feel nostalgic for simpler days of thriller/horror movies and greasy popcorn with the family.

I’ve since become a resident of Etobicoke and I’ve been to the Westwood a few times to take photos. The interior is a creepy dirty shell of its former self, but when i think about it, movie theatres always lost their magic and felt dirty when the lights came on. The exterior is nothing to write home about except the sign and it isn’t particularly fabulous either, but the typeface is vintage and looks stellar in silhouette.

I do find the property visually intriguing and think it would have made for some fabulous photographs with the lot full of 50′s automobiles lit with pools of light from the streetlamps and the neon lit.

Now the building is home to feral felines and memories of cheap firsts and dates (okay, i embellished that last one!)

A little history: The Westwood Theatre opened on February 28, 1952, with Ontario Premier Leslie Frost in attendance for the ribbon-cutting ceremony. The 1000 seat movie house was the first in Canada to feature a floating screen and a front-end parking lot, (later a common occurrence in the age of the multiplex). It was a discount movie house for first-run films and was apprently packed every night until it closed in 1998. According to the last manager of the Westwood, the last feature movies were Titanic and Wild Things. Sadly the interior was demolished and the sign damaged during the shooting of Resident Evil 2 a few years later – in the movie, the roof of the theatre is destroyed by a zombie wielding a rocket launcher, and according to numerous accounts, the “D” in sign was damaged during filming.

According to Peter Milczyn City Councillor of Ward 5, Etobicoke-Lakeshore, the building is slated for demolition this year to make way for a new provincial court house.

 

[Facts and details from: http://theintrepid.blogspot.ca and http://silenttoronto.com/ ]

Cherry Beach in the cold

3 years ago on a cold, cold day exploring Cherry Beach I wandered with friends around Cherry Beach, T&T, Polson Pier, and lower Jarvis (I think!). It was a crisp and perfect winter day for shooting. It was also the day I found an abandoned and exposed roll of film in a derelict house featured in Archive Issue #1.

 

I’m working out kinks in my website without any downtime… my apologies for fixed sized slideshows and other technical bloopers. I am, as always a website developer with a finished website.

sosp-hibiscus-syriacus-asault

More Sleeping Plants

When the light is right, who wants to be inside working at their computer? Not me, I always prefer to be out shooting than one with my desk, eyeball deep in post-production work!!! But then it was time to edit and produce new work(s) for my State of Sleeping Plants series.

Here is a selection of the series new and old to date.

 

 

Jesus Saves, so many things

jesus saves, so many things

news clippings about cats rescued from hydro poles, vintage Fisher Price toys, pizza boxes, harmonicas, thread spools, clothes pins, paper clips, pint glasses, purses, shoes, pet rocks, ziplock baggies, unicorn statues, Beatles memorabilia, 45′s, matchbooks, books about the science of metamorphosis and psychic powers, typewriters, cat stickers, note paper, pencil, feathers, scarves, signs, lightbulbs, slippers, fake mustaches, eye liner pens, 2×4 ends, mirrors, tissue paper, beach balls, scuba suits, nails, flower pots, cornucopia displays, fedoras, hankies, 4 leaf clovers…

The Junction/Stockyards, Toronto ON, December 2012.